Featured: Advanced Photoshop magazine

I had to pinch myself till I bled. Is Adam Smith, Senior Staff Writer for Advanced Photoshop magazine emailing me for a feature in their magazine?!? I instantly google’d his name and email address to verify if this was real, and sure enough it was! Let me try to put this in perspective… This is THE magazine I genuinely gladly pay $15 to take home and read. Oversized pages, spot-uv covers, high quality paper stock.. so nice I’ve never thrown away a single issue. Dare I say the only magazine I buy? (American publishers can learn a thing or two from Imagine Publishing.)
I literally screamed when I saw my picture as the lead-in image for the feature. The feature is simply titled “Photoshop for Photographers”. Myself and 3 other photographers (Jaroslav Stehlik, Jim Lind, and James Quantz Jr)are interviewed for their insight on how Photoshop helps our workflow. Very humbling to be paired up with such great photographers. One line inparticular in the feature caught my eye when I was mentioned in the same sentence as Dave Hill and Jim Fiscus, truly 2 of my main sources of inspiration over my history behind the camera. Maybe now they’ll let me have brunch with them

Dual page lead-in image to the feature, I owe Adam Smith a drink!

Original image from my portfolio.

Pullquote by yours truly, plus the Fast & Furious 3-car rig shot.

Original image from my portfolio

PRO TIP! haha.
If you’ve never picked up a copy of Advanced Photoshop, do yourself a favor and at least flip through it. Chances are you’ll take it home. I have for years, and now I’m featured in the very pages I read!
Down to Earth – Olly Howe
Introducing Olly Howe. Easily one of the best designers I have ever come across. And not to stroke my ego too much, but that is a huge compliment. So you can imagine my thoughts when Olly emailed me asking to collaborate with one of my latest photoshoots. Very very very very humbling.
I have never given any of my high-resolution photoshop files to anybody… ever. But I didn’t hesitate a second when Olly wanted to do his magic work to one of my Great Recession composites. The end result blew my mind. The attention to detail is just absolutely STAGGERING. Just look for yourself.



And a rundown of some of my favorite work displayed on his website:

Reason #14 why I’m a huge fan of Olly is he’s been featured in Advanced Photoshop magazine AND Computer Arts. My top 2 magazines for design/photoshop… well worth the $15 price tags. I’m looking forward to working on future projects with Olly, and if you want a photoshoot taken in LA, and further edited by Olly… well you know our contact info
Import Tuner cover build-up video
Hello YouTubes!
Hearing my voice is freakin’ disturbing… Do I really sound like this? I’ll blame it on my room acoustics.
My buddy Jeff Creech, the cover car photographer for this issue, proposed for me to do a step-by-step guide on how the Import Tuner covers are pieced together. The idea had been itching the back of my brain for a while so this felt like the perfect opportunity. I’ve done a lot of covers in my 5 year span of being an Art Director, so why not go an extra step.
Since the Import Tuner covers literally take 4-5 days to complete because of back and forth company approvals and basically lots-o-work, screenshots were taken over the time period and pieced together later instead of doing a time-lapse video. It’s a lot to cover in just 7 minutes.
…and yes I know I accidentally said “if you have any questions, hit me up, i’ll try to ASK any and all that I can” at the end, sigh lol.


At the time of this blog post, this issue is on newsstands.































