Réinvént the Résumé
Every now and then when applying for any type of job, I get a request for a résumé. Nothing extraordinary there. But in the creative field, a résumé better be more than a white sheet of Times New Roman puked out in Microsoft Word. After all I’d be competing against other designers, why not let that first knock on the door be a loud colorful one?
I’ll be the first to admit that I hop on google and dedicated creative sites to brainstorm. For example look at what I found after doing a quick search for “creative résumés” www.honkiat.com
Reading résumés can be boooooooooooring, and boooooooooooring résumés (unintentionally) can reflect your personality. I chose to be light-hearted with my approach. Specifically, talking about being the “Grand prize finger painting winner at Sunshine Preschool” in 1986, continuing my timeline to 2021, and inserting a slew of informative fun (somewhat true) graphs.
A few rules I go by when creating a résumé:
1. Keep it under 1 page (more than 1 page makes you seem egotistical)
2. Address each résumé to their respective peers (cover letters are so 1997, and wastes paper)
3. Throw in a few fun facts and/or graphics (a wall full of words isn’t very engaging)
For a final touch, I made two versions: computer friendly and print friendly.
On computer monitors (back lite), less energy is exerted with the color black. And for print, less ink is used on white. You get the idea. Not like I’ll be saving any forests here, but this small step can go a log way into showing attention to detail.



Left: computer version / Right: print version
Who is Cargo (the addressee)? A killer ad agency in Greenville, SC I’ve been working freelance for over 6 months now… See a connection here? I’ll save another blog post for that. But till then check out their website: http://thinkcargo.com
Down to Earth – Olly Howe
Introducing Olly Howe. Easily one of the best designers I have ever come across. And not to stroke my ego too much, but that is a huge compliment. So you can imagine my thoughts when Olly emailed me asking to collaborate with one of my latest photoshoots. Very very very very humbling.
I have never given any of my high-resolution photoshop files to anybody… ever. But I didn’t hesitate a second when Olly wanted to do his magic work to one of my Great Recession composites. The end result blew my mind. The attention to detail is just absolutely STAGGERING. Just look for yourself.



And a rundown of some of my favorite work displayed on his website:

Reason #14 why I’m a huge fan of Olly is he’s been featured in Advanced Photoshop magazine AND Computer Arts. My top 2 magazines for design/photoshop… well worth the $15 price tags. I’m looking forward to working on future projects with Olly, and if you want a photoshoot taken in LA, and further edited by Olly… well you know our contact info
































